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Eric van der Westen’s The Crown And Lobster Trilogy Part III: New Quadrant Out Now!

Eric van der Westen’s  The Crown & Lobster Trilogy Part III: New Quadrant was supposed to be recorded during May and June 2020 but due to the Corona Crisis it’s been impossible to be together in the recording studio without violating the strict regulations. This caused the date for the album presentation concert to be switched to October 1st 2021. The concert took place in Paradox Tilburg The Netherlands.

The album contains mostly Van Der Westen originals plus a cover of one of his favorite J.J. Cale tracks: Magnolia and a reworked version of Charles Mingus ” Goodbye Pork Pie Hat. Being a sucker for a touch of melancholy and pretty melodies there’ll be plenty of music to dream away with since the absence of drums will give the band a very open musical character. The album was recorded in the spring of 2021 and contains the music exactly as the way it was recorded: no dubs. The initial plan was to release it as a vinyl but the length of the pieces made that impossible. The amount of editing is absolutely minimal contrary to general contemporary custom. Yannick Hiwat is his violinist virtuosos who brings a great depth and ease to the music , Efe Erdem his trombonist with his legacy of Turkish background makes his mark, well known from his work with Private Time Machine as is Joël Botma; the trumpet player who counts for a tremendous sound and very sensitive musical input. Last but not least his good old friend and co-Pastis- lover Homey guitarist Aron Raams who combines his incredible bluesy jazz chops with his taste of  country & americana. Listen here: https://open.spotify.com/album/3AhEtz7HDsmexVsltDksLF?si=JzACrG4VRoWyJlgRwiCZVw&dl_branch=1

The Crown & Lobster Trilogy is a work that combines several aspects of Van Der Westen’s music.  Part I: Private Time Machine (XS) “Modus Operandi”  is to be released on November 27th at the “Warm Up” mini  Better Get Hit Festival in Paradox Tilburg. That album contains originals recorded in the fall of 2020 when Corona locked down all concerts and festivals. Van Der Westen had written a number of Kruaghbin & The Meters inspired electric funk-jazz impro sketches to be recorded without rehearsals or preparation like the great jazz masters  did in the early days.  The result is a joyous highly positive groovy type of music that shows an aspect of Van Der Westen’s music not heard so often yet. With Jeroen van Vliet on keys, Aron Raams on Guitars and Dirk Peter Kölsch on drums the quality of musicianship and finesse is staggering.

 

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Private Time Machine debut album “One” out now!

Private Time Machine’s 1st album is available now.
The double LP  & CD are sold for €20,- per unit and contains both the Vinyls and the CD. Check the Greenbag shop!

Private Time Machine is a band that blends 70’s rock, funk  & soul with jazz and anything that works. It’s Van Der Westen’s vehicle to mix all his life long influences in one go. From Led Zeppelin to Charles Mingus via Urban Dance Squad to John Coltrane passing by Sly Stone to stop @ Deep Purple and Miles  Davis. But most of all it’s really Van Der Westen’s music. His signature of lyricism, melancholy melodies combined with heavy, hard funking & rocking  grooves plus clear harmonies deliver what you may expect from a band full of high powered players with an attitude. The poetry of Jimmy Rage and the leader’s ability to deliver a song are a fine mix. Young hornplayers Joël Botma, Donald Simoen, Efe Erdem, Koen Smits blend well with the experienced lead tenorman Guido Nijs. Martin Fondse – here on super 70’s synths- and Rhodes monster Jeroen van Vliet form an indestructible backbone with drummer Marc Scheck, Guitarist Aron Raams &  Van Der Westen on bass guitar. It’s a true powerhouse.
In the past few years Private Time Machine has been able to thrive because of the regular gigs at Paradox in Tilburg, The Netherlands where the band developed and grew and where ideas were presented and discarded when not up to standard. The work in progress drew a growing audience during the “Playground”  evenings where a two hour concert was followed by grooving  DJ sets to entertain the audience ‘till closing time.

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